<![CDATA[Neal Schmitt - Audio Blog]]>Sun, 25 Jan 2026 10:20:48 -0800Weebly<![CDATA[Nashville 2025]]>Mon, 12 Jan 2026 14:48:10 GMThttp://www.nealschmitt.com/audio-blog/nashville-2025What a blast!! Ten students and two instructors headed down to Nashville in Fall of 2025. We headed down Thursday night with intentions of visiting United Record Pressing, a recording session at Treasure Isle, network with some Capital alumni and eat some good food. I did not expect to sign an NDA for United and have our phone camera covered - but no mind. They were super gracious with their time and knowledge. And of course Joe Carrell and  Leah Schattsneider were amazing hosts as well. Watching them work in the studio was incredible. And yes, there was expensive guitars and barbecue and Arnold's and live music. So… all goals were accomplished! 
]]><![CDATA[Dig Me Out Podcast]]>Thu, 23 Oct 2025 14:12:13 GMThttp://www.nealschmitt.com/audio-blog/dig-me-out-podcastPicture
I was super lucky to connect with my friends Jason and Tim for their amazing 90s music podcast Dig Me Out. The premise is they comb through undiscovered or overlooked 90s music gems and discuss the merits of the music. Interviews with musicians and producers also are part of the series. They've been doing this for awhile and have the format down pat. I can't believe my being a guest on there was 11 years ago but here's Episode 186, discussing The Stone Roses' Second Coming, the follow-up to their smash debut. I happen to love the record but doing so took some time. 

#186: Second Coming by The Stone Roses by J Dziak

Read on Substack
]]><![CDATA[Yamaha E1010 Vintage Delay]]>Mon, 22 Jan 2024 18:30:00 GMThttp://www.nealschmitt.com/audio-blog/yamaha-e1010-vintage-delayThe Yamaha E1010 Analog Delay is a true gem for any audio enthusiast or musician seeking to add warmth, depth, and character to their sound. With its rich tape-like echoes and remarkable analog circuitry, this delay unit has cemented its place in the hearts of countless musicians and producers.
:20 Dry
:42 Reverb
1:00 Echo
1:32 Double Tracking
1:59 Vibrato
2:37 Automatic Pitch Bend
2:56 Flanging
3:15 Tunnel
3:32 Phase Shifting
3:55 Wild Effects
]]><![CDATA[Public Domain works of 2022]]>Tue, 26 Dec 2023 18:30:00 GMThttp://www.nealschmitt.com/audio-blog/public-domain-works-of-2022Here are 10 notable musical works that were expected to enter the public domain in 2022:
  1. "Blue Skies" - Music and lyrics by Irving Berlin, a popular American song often associated with the jazz and pop genres.
  2. "The Birth of the Blues" - Music by Ray Henderson, lyrics by Buddy G. DeSylva and Lew Brown, a classic jazz and blues standard.
  3. "Breezin' Along with the Breeze" - Music by Haven Gillespie and Seymour Simons, lyrics by Richard A. Whiting, a popular jazz and pop song.
  4. "Bye Bye Blackbird" - Music by Ray Henderson, lyrics by Mort Dixon, a well-known jazz and pop standard.
  5. "When My Sugar Walks Down the Street" - Music by Gene Austin and Jimmy McHugh, lyrics by Irving Mills, a classic jazz and pop song.
  6. "Miss Annabelle Lee" - Music and lyrics by Lew Pollack, a popular jazz and pop song from the 1920s.
  7. "The Sheik of Araby" - Music by Ted Snyder, lyrics by Harry B. Smith and Francis Wheeler, a well-known jazz and pop standard.
  8. "Show Me the Way to Go Home" - Music by Jimmy Campbell and Reginald Connelly, lyrics by Irving King, a popular British pub song.
  9. "Someone to Watch Over Me" - Music by George Gershwin, lyrics by Ira Gershwin, a classic American jazz and popular song.
  10. "Tonight You Belong to Me" - Music and lyrics by Billy Rose and Lee David, a well-known jazz and pop standard.
Please note that the public domain status of these works may depend on various factors, including copyright renewals or restorations. It is advisable to verify the copyright status of specific works before assuming they have entered the public domain.




]]><![CDATA[Public domain in the USA: What is it and why is it important?]]>Mon, 18 Dec 2023 18:30:00 GMThttp://www.nealschmitt.com/audio-blog/public-domain-in-the-usa-what-is-it-and-why-is-it-importantThe public domain is a term used to describe works of creative expression that are not protected by copyright. This means that anyone can use, reproduce, or distribute these works without permission from the copyright holder. The public domain is important because it allows for the free flow of information and ideas, and it encourages creativity and innovation.

In the United States, works enter the public domain when the copyright expires or when the work is never copyrighted in the first place. The copyright term for works created after 1978 is the life of the author plus 70 years. Works created before 1978 have a shorter copyright term, depending on when they were published and whether or not the copyright was renewed.
Some examples of works in the public domain in the USA include:
  • All works first published before 1928
  • Works created by the US government
  • Works that have been abandoned or unpublished
  • Works that have lost their copyright protection due to failure to comply with copyright formalities
The public domain is a valuable resource for everyone. It includes a wide range of works, from classic literature and music to scientific papers and government documents. These works can be used for education, research, and entertainment.
Here are some examples of how the public domain is used in the USA:
  • Schools and libraries use public domain works in their collections and curricula.
  • Researchers use public domain works in their studies.
  • Artists and filmmakers use public domain works in their creations.
  • Entrepreneurs use public domain works to develop new products and services.
The public domain is an essential part of a free and democratic society. It allows for the free flow of information and ideas, and it encourages creativity and innovation.
Here are some tips for finding and using public domain works in the USA:
  • The US Copyright Office has a website with information on copyright law and the public domain.
  • The Digital Public Library of America is a digital repository of public domain works.
  • Many universities and libraries have collections of public domain works.
  • When using a public domain work, it is important to cite the source.
The public domain is a treasure trove of knowledge and creativity. It is a resource that everyone should be aware of and use.
]]><![CDATA[Alesis HR 16 Drum machine demo]]>Wed, 13 Dec 2023 18:00:00 GMThttp://www.nealschmitt.com/audio-blog/alesis-hr-16-drum-machine-demoThe Alesis HR-16 drum machine is a classic electronic drum machine that was first released in the late 1980s. It was designed to provide musicians, producers, and composers with a versatile and affordable tool for creating drum patterns and beats. The HR-16 features a compact and sturdy design with a user-friendly interface. It consists of a 16-pad grid layout, where each pad represents a specific drum sound or percussion instrument. The pads are velocity-sensitive, meaning the intensity of the hit affects the volume and timbre of the sound produced. Stock, there are 49 sounds including 10 kicks, 7 snares, and a complete percussion set - all of which are 16 bit samples.
"Just Like Heaven" by The Cure: The HR-16 was used to create the distinctive drum pattern in this iconic 1987 track, known for its catchy melody and upbeat rhythm.
"Don't You (Forget About Me)" by Simple Minds: The HR-16's drum sounds can be heard driving the rhythm in this 1985 hit, famously associated with the movie "The Breakfast Club."
"Policy of Truth" by Depeche Mode: Released in 1990, this synth-pop classic features the HR-16's electronic drum sounds, contributing to the song's pulsating groove.
"Situation" by Yazoo (Yaz): The HR-16 was used to craft the drum pattern in this synth-pop gem from 1982, showcasing the machine's capabilities in creating danceable beats.
"Groove Is in the Heart" by Deee-Lite: This funky dance track from 1990 incorporates the HR-16's drum sounds to create a lively and infectious rhythm that keeps the party going.
"Master & Servant" by Depeche Mode: Another  hit from 1984, this song features the HR-16's electronic drums to deliver a driving and industrial-inspired beat.
]]><![CDATA[Rival Cities - Start Again]]>Wed, 06 Dec 2023 18:00:00 GMThttp://www.nealschmitt.com/audio-blog/rival-cities-start-againSo lucky to work with Keith Jenkins on this tune. And I got to play drums on the song. Fun times!
]]><![CDATA[January 1 Happy Public Domain Day!]]>Fri, 01 Dec 2023 18:30:00 GMThttp://www.nealschmitt.com/audio-blog/january-1-happy-public-domain-dayHere are 10 notable works that may enter the public domain on January 1, 2024:
  1. "Steamboat Willie," an animated short film featuring Mickey Mouse, directed by Walt Disney and Ub Iwerks.
  2. "The Sun Also Rises" by Ernest Hemingway, a significant modernist novel exploring post-World War I disillusionment.
  3. "Lady Sings the Blues" by Billie Holiday, a classic jazz song that has become an emblem of the jazz era.
  4. "Show Boat," a musical in two acts by Jerome Kern and Oscar Hammerstein II, based on Edna Ferber's novel of the same name.
  5. "The Maltese Falcon" by Dashiell Hammett, a classic detective novel introducing the iconic character Sam Spade.
  6. "Oranges and Lemons" by John Galsworthy, a collection of short stories exploring various human relationships and themes.
  7. "The Story of Doctor Dolittle" by Hugh Lofting, a beloved children's book about a physician who can talk to animals.
  8. "Cleopatra" by H. Rider Haggard, a historical adventure novel centered around the legendary Egyptian queen.
  9. "Strange Interlude" by Eugene O'Neill, a Pulitzer Prize-winning play known for its innovative use of soliloquy to reveal characters' inner thoughts.
  10. "Loves of a Blonde" (Lásky jedné plavovlásky), a Czechoslovak comedy film directed by Miloš Forman.
Please note that the public domain status of these works may depend on various factors, including copyright renewals or restorations. It is advisable to verify the copyright status of specific works before assuming they have entered the public domain.
]]><![CDATA[Thoughts on Internships]]>Mon, 27 Nov 2023 18:00:00 GMThttp://www.nealschmitt.com/audio-blog/thoughts-on-internshipsAs students prepare for their upcoming music technology internship, it's important to recognize the unique dynamics of this field. Internships in music technology, whether in the realms of post-production, recording studios, live sound, or music venues, offer invaluable hands-on experience that can shape your future career. However, it's essential to acknowledge that most opportunities in this domain are not advertised. This can create a sense of uncertainty or hesitation when reaching out to companies that may not have active internship postings.

In the ever-evolving landscape of the music industry, internships often serve as the gateway to professional success. Networking remains a crucial factor in securing these opportunities, especially in a niche field like music technology. Consider the following advice to navigate the world of music technology internships:
  1. Embrace Proactive Networking: Engage with professionals in the music technology industry through various platforms, such as industry events, seminars, and online communities. Seek opportunities to connect with individuals working in your desired field. Whether it's through informational interviews, LinkedIn outreach, or industry-specific gatherings, networking can expand your pool of contacts and potential internship opportunities.
 
  1. Craft a Compelling Pitch: Since many internships in the music technology field may not be advertised, you'll often need to start contact with companies . Develop a concise and compelling pitch that highlights your skills, passion for music technology, and specific areas of interest. Personalizing your approach and demonstrating genuine enthusiasm for the company's work can make a lasting impression on potential mentors and employers.
 
  1. Demonstrate Your Value: Showcase your technical expertise, creativity, and adaptability to potential internship hosts. Highlight any relevant projects, coursework, or extracurricular activities that show your passion and skill in music technology. Your portfolio, if available, should reflect your ability to contribute to a professional setting.


Remember that polite persistence and resilience are key when navigating the competitive landscape of music technology internships. Don't be discouraged by the lack of advertised positions; instead, view this as an opportunity to shape your career path. Cultivate genuine connections, showcase your skills, and remain committed to your passion for music technology. By taking these proactive steps, you can enhance your prospects of securing a rewarding and enriching internship experience that aligns with your professional aspirations.

]]><![CDATA[Thoughts on group projects]]>Wed, 08 Nov 2023 18:00:00 GMThttp://www.nealschmitt.com/audio-blog/thoughts-on-group-projectsGroup projects are a fact; school or no school. There are repetitive snags that always come up. The two basic ones are communication issues and not building in time for editing/revisions. if the group is facing a challenging situation due to poor time management and attendance issues, here are a few thoughts on alleviating the stress of group projects.
  1. Intensive Time Management Strategy: Work backwards from the due date and encourage the group to create a detailed schedule that outlines specific tasks and deadlines for each team member. This will help them prioritize tasks and utilize their remaining time effectively.

  2. Task Delegation and Collaboration: No one should be a ball hog and no one should be a tug boat. Advise the group to divide the remaining work among team members according to their strengths and expertise. Encourage them to communicate regularly and collaborate closely to ensure a cohesive final project.

  3. Utilize Available Support: I'm here to help. I assigned the project but I am always available to help. Recommend that the group consult with the instructor or academic support services for any clarification or guidance on the project. This can provide them with valuable insights and resources to improve their work.

  4. Quality Check and Revision: Surprises in group projects and last minute delivery are not fun. Stress the importance of thorough quality checks and revisions to ensure that the final project meets the required standards. Suggest that the group allocates sufficient time for reviewing and refining their work before the submission deadline.

  5. Effective Communication: Pick a form of communication that the team will actually use. If someone doesn't ever check email, THEN DON'T USE THAT! Text is fine - but acknowledge the text. No one likes talking in a vacuum. Encourage the group to maintain open and effective communication throughout the remaining time. This includes regular progress updates, addressing any issues promptly, and ensuring that all team members are on the same page.

  6. Focus on Key Priorities: 80/20 rule here. Figure out what is 80% of the project and focus on that. Advise the group to prioritize the essential components of the project to ensure that they cover the critical aspects effectively within the remaining time frame.


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