Images from the 2026 Sound and Media Workshop at Capital University. What an amazing event! Every March, we fill the spaces, studios and classrooms around Capital with the coolest seminars, workshops and professionals we can find. This year, Hollywood composer and Cap Grad John Carey was our keynote, discussing his workflow on such movies as Crazy Rich Asians and the Transfomers' movies. 

I've been lucky to work with Matt Beckler for over twenty years in a variety of ways. He's been stocking up singles and trickling them out over the last year. The combination of studio recordings, home recordings, file transfer via the internet and mix critiques from several states away is quite the journey. He's a consummate musician who hears things in his mixes that just on another level and puts so much effort and thought into each release.

What a blast!! Ten students and two instructors headed down to Nashville in Fall of 2025. We headed down Thursday night with intentions of visiting United Record Pressing, a recording session at Treasure Isle, network with some Capital alumni and eat some good food. I did not expect to sign an NDA for United and have our phone camera covered - but no mind. They were super gracious with their time and knowledge. And of course Joe Carrell and  Leah Schattsneider were amazing hosts as well. Watching them work in the studio was incredible. And yes, there was expensive guitars and barbecue and Arnold's and live music. So… all goals were accomplished! 

I was super lucky to connect with my friends Jason and Tim for their amazing 90s music podcast Dig Me Out. The premise is they comb through undiscovered or overlooked 90s music gems and discuss the merits of the music. Interviews with musicians and producers also are part of the series. They've been doing this for awhile and have the format down pat. I can't believe my being a guest on there was 11 years ago but here's Episode 186, discussing The Stone Roses' Second Coming, the follow-up to their smash debut. I happen to love the record but doing so took some time. 

The Yamaha E1010 Analog Delay is a true gem for any audio enthusiast or musician seeking to add warmth, depth, and character to their sound. With its rich tape-like echoes and remarkable analog circuitry, this delay unit has cemented its place in the hearts of countless musicians and producers.

:20 Dry
:42 Reverb
1:00 Echo
1:32 Double Tracking
1:59 Vibrato
2:37 Automatic Pitch Bend
2:56 Flanging
3:15 Tunnel
3:32 Phase Shifting
3:55 Wild Effects

Here are 10 notable musical works that were expected to enter the public domain in 2022:

1. "Blue Skies" - Music and lyrics by Irving Berlin, a popular American song often associated with the jazz and pop genres.
2. "The Birth of the Blues" - Music by Ray Henderson, lyrics by Buddy G. DeSylva and Lew Brown, a classic jazz and blues standard.
3. "Breezin' Along with the Breeze" - Music by Haven Gillespie and Seymour Simons, lyrics by Richard A. Whiting, a popular jazz and pop song.
4. "Bye Bye Blackbird" - Music by Ray Henderson, lyrics by Mort Dixon, a well-known jazz and pop standard.
5. "When My Sugar Walks Down the Street" - Music by Gene Austin and Jimmy McHugh, lyrics by Irving Mills, a classic jazz and pop song.
6. "Miss Annabelle Lee" - Music and lyrics by Lew Pollack, a popular jazz and pop song from the 1920s.
7. "The Sheik of Araby" - Music by Ted Snyder, lyrics by Harry B. Smith and Francis Wheeler, a well-known jazz and pop standard.
8. "Show Me the Way to Go Home" - Music by Jimmy Campbell and Reginald Connelly, lyrics by Irving King, a popular British pub song.
9. "Someone to Watch Over Me" - Music by George Gershwin, lyrics by Ira Gershwin, a classic American jazz and popular song.
10. "Tonight You Belong to Me" - Music and lyrics by Billy Rose and Lee David, a well-known jazz and pop standard.

Please note that the public domain status of these works may depend on various factors, including copyright renewals or restorations. It is advisable to verify the copyright status of specific works before assuming they have entered the public domain.

The public domain is a term used to describe works of creative expression that are not protected by copyright. This means that anyone can use, reproduce, or distribute these works without permission from the copyright holder. The public domain is important because it allows for the free flow of information and ideas, and it encourages creativity and innovation.

In the United States, works enter the public domain when the copyright expires or when the work is never copyrighted in the first place. The copyright term for works created after 1978 is the life of the author plus 70 years. Works created before 1978 have a shorter copyright term, depending on when they were published and whether or not the copyright was renewed.
Some examples of works in the public domain in the USA include:

• All works first published before 1928
• Works created by the US government
• Works that have been abandoned or unpublished
• Works that have lost their copyright protection due to failure to comply with copyright formalities

The public domain is a valuable resource for everyone. It includes a wide range of works, from classic literature and music to scientific papers and government documents. These works can be used for education, research, and entertainment.
Here are some examples of how the public domain is used in the USA:

• Schools and libraries use public domain works in their collections and curricula.
• Researchers use public domain works in their studies.
• Artists and filmmakers use public domain works in their creations.
• Entrepreneurs use public domain works to develop new products and services.

The public domain is an essential part of a free and democratic society. It allows for the free flow of information and ideas, and it encourages creativity and innovation.
Here are some tips for finding and using public domain works in the USA:

• The US Copyright Office has a website with information on copyright law and the public domain.
• The Digital Public Library of America is a digital repository of public domain works.
• Many universities and libraries have collections of public domain works.
• When using a public domain work, it is important to cite the source.

The public domain is a treasure trove of knowledge and creativity. It is a resource that everyone should be aware of and use.

The Alesis HR-16 drum machine is a classic electronic drum machine that was first released in the late 1980s. It was designed to provide musicians, producers, and composers with a versatile and affordable tool for creating drum patterns and beats. The HR-16 features a compact and sturdy design with a user-friendly interface. It consists of a 16-pad grid layout, where each pad represents a specific drum sound or percussion instrument. The pads are velocity-sensitive, meaning the intensity of the hit affects the volume and timbre of the sound produced. Stock, there are 49 sounds including 10 kicks, 7 snares, and a complete percussion set - all of which are 16 bit samples.

"Just Like Heaven" by The Cure: The HR-16 was used to create the distinctive drum pattern in this iconic 1987 track, known for its catchy melody and upbeat rhythm.
"Don't You (Forget About Me)" by Simple Minds: The HR-16's drum sounds can be heard driving the rhythm in this 1985 hit, famously associated with the movie "The Breakfast Club."
"Policy of Truth" by Depeche Mode: Released in 1990, this synth-pop classic features the HR-16's electronic drum sounds, contributing to the song's pulsating groove.
"Situation" by Yazoo (Yaz): The HR-16 was used to craft the drum pattern in this synth-pop gem from 1982, showcasing the machine's capabilities in creating danceable beats.
"Groove Is in the Heart" by Deee-Lite: This funky dance track from 1990 incorporates the HR-16's drum sounds to create a lively and infectious rhythm that keeps the party going.
"Master & Servant" by Depeche Mode: Another  hit from 1984, this song features the HR-16's electronic drums to deliver a driving and industrial-inspired beat.

So lucky to work with Keith Jenkins on this tune. And I got to play drums on the song. Fun times!